Murderbot (the show) & All Systems Red (the book)

Murderbot (2025)

I don’t think Apple did a great job of marketing this show. I don’t mean they didn’t do enough to promote it, I certainly saw enough ads for it when it first came out, I mean the campaign itself didn’t entice me to watch. I certainly saw ads for it, but despite the fact that I really like Alexander Skarsgård, it didn’t look interesting to me, I thought it was about… well, a murdering robot, like Dexter set in the future I guess. I heard a lot of positive buzz, but still nothing that really made me think this was for me.

In August I got an e-mail from Humble Bundle that they had a Martha Wells e-book package they were selling called “Murderbot & more” and the only thing I love more than cheap books, is free books (I once called the number on an LDS tv commercial because they said they’d send me a free book). I also love the fact that Humble Bundle lets you choose what percentages of the price you donate goes to the author, the charity and the HB organization. So of course I bought it.

I didn’t read any of the books right away though, because I had other media I was in the process of consuming, then I found myself at the garage a couple weeks ago waiting for them to put my snow tires on and do the required maintenance, so to kill the time, I opened All Systems Red on my phone and started reading. It was sooooo good and not at all what I was expecting. The novel is told from the point of view of a security robot (he only calls himself a Murderbot), who is contracted to protect a group of scientists on a remote planet, but would rather be spending his time watching cheesy soap operas. The story is told via his almost constant internal monologue that has this dry, almost sarcastic tone to it. He reminds me of Commander Data, if you added the personality of Marvin The Paranoid Android from Hitchhiker’s Guide to the Galaxy and put them in the body of a T-800. I absolutely loved the book and am about a quarter of the way through the second one now.

Given that I had heard the show was well received, I took a chance and convinced my wife to watch it with me. She too likes the wry, dark comedy style of humour in the vein of Douglas Adams and Terry Pratchett, so if the show captured the feeling of the book, I thought we would both enjoy it. Spoiler warning, we did.

Now, the book is fairly short, it’s only about 170 pages, so to convert it to a ten episode tv season, even at only about thirty minutes per episode, they had to stretch things out a bit. We still have the great narration, this time provided by mister Skarsgård, in a wonderfully flat, almost bored tone that perfectly matches how I imagined SecUnit to sound when I was reading the book. It doesn’t stick to just the robot’s POV though, the other characters in the story are given a lot more to do and fleshed out considerably. It doesn’t slow anything down though, and it doesn’t change the story. All the main beats are still there, nothing was really changed, they just add a lot more colour and flesh to everything.

When I look at some of my recent favorite shows, a lot of them come from Apple. Silo, Foundation, Shrinking, Severence, Mythic Quest all are absolutely fantastic and some of the best TV I’ve seen in a long time, but I think their marketing needs to do a better job of explaining the tone of them to potential viewers, or they might overlook something they might enjoy, like I almost did with Murderbot.

The Punisher – Season 2

You can always burn the place down, if it makes you feel better

Amy Bendix – Season 2: Episode 6 “Nakazat”

I really enjoyed the first season, but the second is just too long and there are too many people involved.  Too many characters, too many writers and too many directors.

Maybe I’ve been spoiled by the incredibly tight Peaky Blinders I just finished watching. Only six episodes a season, with just one writer and one director for all six. Compared to this meandering tale of thirteen episodes written by eight separate people, told by ELEVEN directors managing seven main characters. I didn’t hate it, but it was just too long and had too many characters I didn’t care about.

Watch out for spoilers below.

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Reboot this! Space: Above and Beyond

So many shows are getting a reboot theses days. The thing is, a lot of them are reboots of shows that already have a huge number of episodes people could re-watch. Did we really need to reboot shows like Charmed, Roswell and MacGuyver? I mean, don’t get me wrong, I loved all those shows, but couldn’t they have just put the originals on a streaming platform for us to watch? How about rebooting shows that didn’t last very long but had great potential? How about giving Space: Above and Beyond another shot?

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Peaky Blinders

“They call them the Mafia.  Yeah, there’s fiftenn ‘ov ’em.  They wan’t kill us all, but we got guns and grenades and Polly’s back, so we’re gonna be okay, yeah.

Curly – Season 4 Episode 2 “Heathens”

I will say first off, this show is not for everyone, it is raw, rude and violent, but I love it.

The Peaky Blinders were a Birmingham street gang active from the 1890s to about 1910. Writer and Creator Steven Knight borrowed their name for this series about an Irish Traveler family who run a bookmaking and protection racket in Birmingham, England. The first season begins in 1919, not long after the three oldest brothers return from fighting in France during the First World War. Thomas Shelby, the second oldest brother, has plans and ambitions to grow.

I’m a big fan of gangster stories. The Godfather, Goodfellas, Gangs of New York, I never really got into the Sopranos though. I watched more than a few episodes, and I liked it, but it didn’t grab me the way it did other people. I devoured every episode available of Peaky Blinders.

The acting is superb. These are terrible people but Cillian Murphy, Helen McCrory, Paul Anderson make them sympathetic and human. The costumes, sets and visual design transport you to the past. And then there’s the music!

On a gathering storm comes
a tall handsome man
in a dusty black coat with
a red right hand

Nick Cave & The Bad Seeds – “The Red Right Hand”

Sometimes (too often in my opinion) when directors and producers try and use modern songs in a period setting, the results are jarring. It snaps you right out of the immersion they are trying to build. It’s the exact opposite here. Despite the setting being 1920s England, the music by Jack White, Dan Auerbach, PJ Jarvey, Radiohead and others pulls you in deeper. Everything is chosen perfectly and all the pieces fit together like a jigsaw puzzle that’s both horrifying and beautiful to look at.

One of the things that makes the show so good is how short the seasons are. That sounds odd to say, but having only six episodes per season (or series as the BBC prefers to call them) means the writer and producers have the time to make sure each one counts. That every script has been honed and fine tuned. Every episode has been written by the same person, creator Steven Knight and each season but the first directed by a single director. So there is a uniformity and consistency that you don’t get with shows that have twice, three or even four times the number of episodes to watch.

Tom Hardy is another wonderful thing about this show. He only has small guest appearances peppered throughout seasons 2, 3 and 4 but holy crap is he amazing. I didn’t even realize it was him I was watching, until I saw his name in the credits and to look up who he played, just to see if it was the same Tom Hardy I was thinking of. It was, and it goes to show how badly his acting ability was misused by Chris Nolan in that last Batman movie.

Each season begins a little further in time than the previous one. Each telling the tale of the growth of the familys power and influence and the prices they pay for it.

I’ve read that Mr. Knight plans for the story to encompass the time between the two world wars, over a total of seven seasons. Four have been released and the fifth is due this year. I can’t wait.

Watching Jeopardy on Netflix makes me feel smart

Before a few weeks ago, I had not watched an episode of Jeopardy in a loooong time. I was probably living at my parents house the last time I saw one because they liked to watch it and I watched with them.

Not long ago I saw Jeopardy was on Netflix and I though “What? There must be like a thousand episodes by now. Did they put them all on Netflix?”

The answer is no. They put some of their Tournament of Champions episodes on Netflix, and I like it.

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Z Nation is cancelled, but more Z Nation to come!

So, SyFy has cancelled Z Nation after five seasons. However, Netflix will be doing an eight episode prequel series called Black Summer, a point in time often referred to in Z Nation. The new mini series is from mostly the same production, direction and writing staff as Z Nation, but will not feature any of the existing characters.

I’m going to miss Lt. Warren, Murphy, Doc, 10K and the others, but maybe if Black Summer does well and gets a 2nd season, some of our favorite people can be brought on to it or, even better, Netflix pays for a 6th season of the original. That right there is why production companies need to be separate from the networks that broadcast the shows.

Wait… You have no idea what I’m talking about? You’ve never watched Z Nation? I can’t really say I’m surprised.

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Good Eats is coming back!

I like cooking shows. It’s fun to learn new recipes and get ideas for meals, it’s even better when they expose you to techniques and styles of cuisine you might not ordinarily encounter. My favorite of all cooking shows though has always been Alton Browns Good Eats.

I didn’t catch the show when it first premiered on Food Network in 1999, I think it wasn’t until the third or fourth season that I started watching (I was late to that party, as usual) but I fell in love with it immediately. Good Eats wasn’t just another celebrity chef giving you a bunch of recipes, each episode was a cooking class, it was a testing lab, it was an equipment review, a history lesson, it was one of the best resources for culinary information I have ever come across. Even better than all the Dummies books I had been buying.

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Dr. Who is on Twitch!

I don’t know when it started, or how long it will last, but Classic Dr.Who episodes are currently streaming on Twitch.tv!

Actually, that’s a lie, the information on the Twitch page tells me it started on January 5th and will end on the 20th. Unlike a lot of other streaming sites, this is 100% legal. Twitch, having been bought by Amazon a few years ago, often get the rights to broadcast shows as a special event. They’ve done it with Bob Ross’ The Joy of Painting in the past and this time have made an arrangement with the BBC to show old Dr. Who episodes.

Remember when the Doctor had no trouble using guns? Remember when the Daleks were actually scary? Remember when TV was square instead of rectangular? Relive it all now! Fair warning though, the episodes are pretty old and you will see plenty of white people squinting in yellow face using generic “oriental” accents and there are no seizure warnings before the screen tries to strobe you blind.

You’ll also have to put up with a few ads for Amazon Prime shows and of course Twitch chat, which can be good or bad depending on the mood of the viewers.

It’s a good antidote for AGDQ withdrawal symptoms.